88 CREATIVE KEYS CO-FOUNDERS AND TEACHERS
BRADLEY SOWASH AND LEILA VISS
iPad and “Off Bench” teaching specialist
I enjoy teaching music both “on and off the piano bench” using the latest iPad apps and simple manipulatives like bottles, buckets, boxes, erasers and more. Finding innovative ways to use household items and hip technology makes every lesson an adventure. As a classically trained musician, playing “off page” is a relatively recent acquired skill that has reinvigorated my teaching and personal musicianship. I firmly believe that teaching creatively and teaching creativity go hand in hand. Creativity is contagious and I am passionate about passing it along to others.
- Author of The iPad Piano Studio: Keys to Unlocking the Power of Apps
- Owner of an innovative, tech-savvy, creative-based independent studio in Centennial, Colorado
- Full time church organist, pianist, accompanist
- Coordinator of the Piano Preparatory Program at the University of Denver
- Columnist for Clavier Companion
- Blogger at 88pianokeys.me
- Frequent presenter and guest artist at national, state and local conferences and associations
- MA in in piano performance and pedagogy
How I wish someone had shown me creative concepts and theory tools like chord symbols, lead sheets, and how to groove in popular styles when I was a student. My teachers explained how to read and interpret written music, but my understanding of how to create my own music was gained much more slowly through experimentation, copying recordings, attending live performances, begging more experienced creative musicians for tips and tricks, and reading everything I could get my hands on about improvising. I enjoy passing along the valuable lessons I’ve learned along the way so that you won’t have to go through the same long process of trial and error that I did.
- Touring concert jazz pianist
- Recording artist of nine albums
- Owner of a private piano studio specializing in improvisation
- Author of America’s top-selling, nine-book piano method, That’s Jazz
- Pop/Jazz Chairperson for Music Teachers National Association
- Co-Founder of 88 Creative Keys Summer Workshop for improvising pianists
- Broadcast credits include seven seasons on the PBS-TV series, “The Piano Guy.”
- Teaches master classes nationwide
- Writes for Clavier Companion, Downbeat, American Music Teacher among others
- Faculty: Suzuki Music Columbus, Chamber Music Connection, and The Jazz Academy
- Winner of a special citation from The American Prize in Composition for “his unique skill in combining classical techniques with popular idioms.”
“BRAVO. What you and Leila are doing…..don’t stop!”
— Linda King, Founder of The United States International Duo Piano Competition
In 2012, my friend and piano teaching colleague, Leila Viss casually mentioned by phone, “You ought to come out here to Denver and lead a workshop on improvisation.” My reply was, “It’s too big a project to do alone. Do you want to work together on it?” A few polite laughs, something about being so, so busy and we dropped it. A few months later, having discovered our mutually compatible working styles by both serving on the Pop/Jazz planning committee for Music Teachers National Association, the idea resurfaced and this time, we decided to go for it.
An Idea Takes Shape
Dubbing our endeavor 88 Creative Keys, we began generating ideas about how to co-teach the first ever workshop focused solely on keyboard improvisation with tracks for pianists, adults and music teachers. My contribution as a veteran jazz pianist/composer and author of the top-selling That’s Jazz series was to design a creative music-making curriculum. To this, Leila added her incredible organizational skills and keen sense about how to teach groups using visual aids, presentation slides, “manipulatives,” and other “off the bench” activities. Since neither of us had much experience with event management such as logistics, lining up sponsors, registrations, medical/liability forms, logo/branding, and marketing, we just had to figure out the nitty gritty (with a few bumps) along the way.
The Perfect Setting
In July 2013, the day before Denver based workshop began; I walked into the location (a huge, comfortable room in a local church) sort of astonished to see how our idea had become a reality. I knew it would happen but somehow seeing the 16 digital pianos stacked in the corner, a registration table, custom handout binders, dry erase board, drums, boom whackers, visual aids, snack bar, and signage still surprised me.
Six days later, tired and hoarse from teaching and demonstrating, we felt proud and happy to have been able to share a teaching philosophy of balancing the eye and ear in such an intense but fun setting. And we felt grateful for our business partnership ti which we each bring unique skill sets along with relentless energy and enthusiasm for all things related to creative piano pedagogy. unique set of teaching and organizing skills to the table along with relentless energy and enthusiasm for the whole project. But most of all, we were very appreciative of the students and teachers who dared to sign up for this historical, first-of-its-kind workshop to focus solely on keyboard improvisation.
Onward and Upward
Did it happen again? Definitely. Limited by the number of pianos we have available, we’ve sold out every workshop. And we are always changing it up, keeping notes on things to tweak as we progress. For example, participants told us they wished getting food was easier, so we now have a light breakfast, full lunch, and snacks catered. Returning alumni wanted variety so we divvied up our curriculum by ability level and now include a guest teacher. Recently, we added online clinics to our offerings and have been amazed and excited by the response. This is definitely an area we will continue to expand.
Until next time, enjoy your creative music-making journey,